Forgeries is included in this exhibition investigating the question of the united states in 2025. At a time when federal celebrations are doubling down on the imperial, racist, elitist, heteronormative, and patriarchal as… Continue reading
Crossing the Line: The Passport Re-Imagined is a traveling exhibition featuring a collection of works inspired by passports and other travel documents. In 2025-2026 it will tour to San Francisco Center for the Book, Baylor University Libraries, Minnesota Center for the Book, and the Maier Museum of Art.
Forgeries is a set of three letterpress printed passport-like books that questions the production of authority to mark bodies, land, and papers as “real.” A repeating phrase in the text throughout—“I learned:”—prefaces stories that shaped how I came to understand, and sometimes unlearn, relations and histories of power.
On May 13th, Things I Might Need will open at Western New York Book Arts, in Buffalo, New York. I am so excited to be working with this fantastic space and group of… Continue reading
I’ve been working for what feels like a long long time on an artist book called Ground Rules that is about cancer, and choices around death and dying, as imagined in relationship to… Continue reading
Call A Wrecking Ball to Make a Window is being shown in Abecedarian Gallery’s Artists’ Books Cornucopia, 2013, the fourth in a series of international exhibitions of contemporary artists’ books. This year’s Cornucopia showcases 50… Continue reading
Call a Wrecking Ball to Make a Window is a map-fold book with original text that explores routes taken and spaces made by queer people in New York City from the 1970s through the… Continue reading
In fall 2010, I taught a course called Urban Services in which my students worked with students in the education program of a large non-profit organization in New York City that offers a range of… Continue reading
Safe Keeping (2011) is a tear-off book, based on the original interviews conducted for Safe Keeping (2002-3), placed around New York City on the 10th anniversary of September 11, 2001. This edition is… Continue reading
To be haunted and to write from that location, to take on the condition of what you study, is not a methodology or a consciousness you can simply adopt or adapt as… Continue reading
