Introduction: Beyond the Special Guest—Teaching “Trans” Now By Shana Agid and Erica Rand The theme of this issue of Radical Teacher, “Beyond the Special Guest: Teaching ‘Trans’ Now,” originated in a conversation between… Continue reading
It Doesn’t Get Any Better Than This began in 2004 as an installation and letterpress printed book with original text and images that tell a story of relationship to family history, national pasts,… Continue reading
On December 31, 1993, three young people were killed in a farmhouse in Humbolt, Nebraska. Brandon Teena, a white transgender man, Lisa Lambert, a white single mother who lived in the farmhouse,… Continue reading
Introduction: Teaching Beyond “Tolerance” By Shana Agid and Erica Rand Love Is All Around? At the close of its 2007 summer session—just before we went to final copy on this issue—the U.S.… Continue reading
It Doesn’t Get Any Better Than This began in 2004 as an installation and letterpress printed book with original text and images that tell a story of relationship to family history, national pasts,… Continue reading
I am on a bus coasting along the Long Island Expressway. Because it’s a weekday morning, the bus is mostly empty. Just past Queens, I find myself watching glimpses of boy-on-boy sex on… Continue reading
I was sitting on a 42nd street window ledge at the end of a hot New York August afternoon when I looked up and discovered I’d hit the big time. I was on… Continue reading
In 1993, Brandon Teena, a white transgender man was raped and beaten, then killed in Falls City, Nebraska. In1998, James Byrd, Jr., a Black man, was dragged to death in Jasper, Texas and… Continue reading
It Doesn’t Get Any Better Than This (2004) combines text and images to tell a story of relationship to family history, national pasts, the artist’s transgender identity, and the liberal discourse on… Continue reading
![No Superman [Please Take One]](https://rindpress.com/wp-content/uploads/2013/04/takeone2.jpg?w=290)
No Superman (please take one) challenges the relationship between transmale bodies and superhero ideals, inviting the viewer to take a wallet-sized portrait of the artist away as a gesture of vulnerability and poltical… Continue reading
