Call a Wrecking Ball to Make a Window
Call a Wrecking Ball to Make a Window is a map-fold book with original text that explores routes taken and spaces made by queer people in New York City from the 1970s through the… Continue reading
Call a Wrecking Ball to Make a Window is a map-fold book with original text that explores routes taken and spaces made by queer people in New York City from the 1970s through the… Continue reading
Safe Keeping (2011) is a tear-off book, based on the original interviews conducted for Safe Keeping (2002-3), placed around New York City on the 10th anniversary of September 11, 2001. This edition is… Continue reading
It Doesn’t Get Any Better Than This began in 2004 as an installation and letterpress printed book with original text and images that tell a story of relationship to family history, national pasts,… Continue reading
Flood is an ongoing series of prints that, along with Capital Series, interrogate the production and destruction of spaces and the people in them. Flood 1 -3 are digital prints with screenprint and watercolor that… Continue reading
Capital Series (2007) is a series of screenprints derived from photographs of commercial buildings in urban and suburban areas whose signs highlight relationships of desire to cash, class, and wanting.
On December 31, 1993, three young people were killed in a farmhouse in Humbolt, Nebraska. Brandon Teena, a white transgender man, Lisa Lambert, a white single mother who lived in the farmhouse,… Continue reading
It Doesn’t Get Any Better Than This began in 2004 as an installation and letterpress printed book with original text and images that tell a story of relationship to family history, national pasts,… Continue reading
Snitch is a pop-up book about surveillance. More specifically, it is about the ways people talk about what surveillance is and how, even as many people resist some forms of surveillance, we help… Continue reading
It Doesn’t Get Any Better Than This (2004) combines text and images to tell a story of relationship to family history, national pasts, the artist’s transgender identity, and the liberal discourse on… Continue reading
No Superman (please take one) challenges the relationship between transmale bodies and superhero ideals, inviting the viewer to take a wallet-sized portrait of the artist away as a gesture of vulnerability and poltical… Continue reading